Morrissey “L’insoumis” – Nicolas Sauvage (Camion Blanc)

Alors que la plupart des artistes pop cherchent à plaire au plus grand nombre sans jamais faire la moindre vague, Morrissey a toujours manié l’art de la provocation, de l’ambiguïté et du paradoxe avec brio réussissant ainsi au fil des années à attirer autant de fans que de détracteurs. Il existe même un club d’ “ex-fans”! Le titre du livre de Nicolas Sauvage semble alors pleinement justifié même si ces 600 et quelques pages s’attardent beaucoup moins sur les scandales et sur la vie personnelle du dandy vegan mancunien que sur son imposante carrière. Chaque album y est disséqué dans les moindres détails (un gros manque dans l’autobiographie parue en 2013!), les dates y sont précises, les différents line-ups étudiés à la loupe et les citations toujours bien choisies.

La fascination du personnage pour le glam rock y est aussi largement abordée, que ce soit en ce qui concerne la fameuse légende du fan club des NEW YORK DOLLS jusqu’à leur reformation (dont Morrissey est à l’origine), son amour de T-REX, BOWIE, SPARKS et du très sous-estimé JOBRIATH, mais aussi sa collaboration avec le regretté Mick Ronson.

L’auteur avoue : “Ecrire sur Morrissey est un exercice délicat. Plus qu’avec d’autres artistes, on s’autorise à être parfois sentencieux et à se montrer systématiquement exigeant. Cette exigence, c’est Morrissey lui-même qui l’a imposée par une règle fixée tacitement.” C’est cette exigence d’une précision chirurgicale qu’on ressent tout au long de cette lecture qui réussi tout de même à tempérer certains propos du chanteur sans forcément les excuser.

Fruit d’un travail de recherche impressionnant et d’une passion entretenue de longue date, cet ouvrage vous apprendra forcément quelquechose sur The SMITHS (mais bien entendu pas la date d’une hypothétique reformation !) ou sur la carrière solo de Steven Patrick Morrissey que vous soyez fan hardcore ou juste amateur de quelques albums. Ce livre vient également enfin combler un manque évident dans la littérature pop en France. /Laurent C.

Baby Scream “Just Covers”

Juan Pablo Mazzola offers us a new album but you’ll only hear covers this time. He had the great idea to cover C.C. Deville’s powerpop solo project SAMANTHA 7 with opening song “I Wanna Be Famous” that really fits BABY SCREAM just like a glove. After that, you’ll hear a modern “AIR-ed” version of 10CC’s “I’m Not In Love” and a soft pop version of The PSYCHEDELIC FURS‘ “Love My Way.” CULTURE CLUB‘s “Karma Chameleon” has been revamped as a 60s pop song and SEPULTURA‘s “Roots Bloody Roots” has turned into electronica/dreampop! In comparison, “Secret Agent Man” (JOHNNY RIVERS), “Tell It Like It Is” (AARON NEVILLE) and “Warm Fuzzy Feeling” (FASTBALL) all sound quite close to the original versions. “Stay Forever, My Love” (ORVILLE STOEBER) sounds a bit psychedelic and CINDY LAUPER‘s “Time After Time” sounds amazing as an acoustic song. Well, this album shows us again that a good song is a good song, even if you play it in a complete different style. /Laurent C.

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The Brothers Steve “#1”

If you were into 00s powerpop/glam, then you probably remember Los Angeles band TSAR. If you don’t, then rush and grab their albums! 3 members of TSAR play in The BROTHERS STEVE, but the music of the band is more influenced by TEENAGE FANCLUB, GUIDED BY VOICES or The KINKS. The 60s powerpop influences perfectly mix with 90s altenative Brit pop in “Angeline” and some strong 70s glam rock influences can be heard in the very catchy “We Got The Hits” and in “Carry Me.”Songs like “She”, the organic “C’mon Pappy” or “Carolanne” are rooted in the 60s but manage to sound modern at the same time and The BROTHERS STEVE also display some garage rock’n’roll influences in “Songwriter” or in “Beat Generation Poets Turned Assassin.” Although this album doesn’t sound like TSAR, it definitely has some similarities in the songwriting, the bubblegum melodies and vocal harmonies, and I personally won’t complain about it.
That’s modern powerpop at its best, and the perfect summer album if you’re still looking for one! /Laurent C.

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Baby Scream “Things U Can Say To A Stranger” EP

Argentina’s BABY SCREAM is back with a 5 song EP with strong 60s influences mixed to 90s alternative rock. “Aching Life” starts in a slow way full of melancholy, just before “Fake It Till You make It”, a quite aerial grungy pop song that will hypnotize you. “Roundabouts” starts a bit like an OASIS song, but then gets quieter with sunny sweet voice melodies while “Live While You Can” mixes 60s pop to vocals reminding me a bit of DINOSAUR JR. The last song, “Somebody Kill Me Now” brings a bit of glam to this new EP and brilliantly puts an end to it. /Laurent C.

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Baby Scream “Life’s a Trap”

Juan Pablo Mazzola continues his musical journey as BABY SCREAM, this time showing us his softer side with acoustic songs, sometimes not so far from MARC BOLAN /NIKKI SUDDEN (“Midnight Snack”,”We Can’t Go Back To 17″,”The Ballad Of Music Biz”.) These songs will tell you stories (“Life’s Better When U’re High”, or “Climbing Down” and its MORRISSEY/late 90s MANIC STREET PREACHERS feel), sometimes in a dreamy way, just like in the late 60s/70s.
“Wish You Were a Beer” is not a cover of the CYCLE SLUTS FROM HELL classic, but a bit of an experimental pop song that will stay in your head after listening to it, and “The Road Bends” has a cool kind of groove, reminding a bit of early LENNY KRAVITZ stuff.
If you need to listen to something quieter this winter, then just try this album!/Laurent C.

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Jet Black Kiss “Power Of Three”

Power_Of_ThreeL.A.’s JET BLACK KISS is actually one man: Robert S. Liam (aka “Simon”), who is back with 12 industrial rock/metal songs.”The Flame”, or “Dogs Of War” sound a bit like a mix of KILLING JOKE and WHITE ZOMBIE with a big dose of metal thrown into it (lots of double bass drum!)
The rock/pop influences can be found in a surprising cover of GARBAGE‘s “Only Happy When It Rains”, in alternative sounding songs like “Guns”, “A Beautiful Day”, or the ballad “Bullet Train.” You’ll also find punk traces in “Car Crash” and “I Just Wanted To Kill Her”, a bit of new wave in “Psycho Baby”; and songs like “We All Must Come Together”, or “She’s An Alien” remind me of WARRIOR SOUL, which isn’t a bad thing at all, right? /Laurent C.

http://www.jetblackkiss.com/
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