Post-Riot Grrrl Quartet How Tragic Unveils Eco-Punk Epic Video for “Goodbye Cruel World”

Big Budget-Looking Video Made On Gonzo Girl Trip During COVID

“…..riot grrrl energy that today’s world needs.”-The Aquarian Weekly

Big corporations are peddling deceiving “disposable plastic.” Recycling programs are being discontinued due to cost effectiveness. And here we are frozen in indecision: what do we do for the ailing planet? Helpless and hopeless, some say f#$@ it, and others get punk rock about it and make a rousing statement. Today, the post-riot grrrl four-piece band, How Tragic, takes a stand with its achingly-beautiful apocalyptic “Goodbye Cruel World” video.

“The world is burning, the ship is sinking, and people are like ‘what’s the point in even trying anymore?’” says the Brooklyn, New York-based songwriter, singer, guitarist, producer, and

director Paige Campbell. “It feels like we can’t do anything to help; it feels like there’s no point in trying; it feels like we don’t know who to believe and what is the truth. There’s a special place for people who still have the fight left in them, and this is their song.”

The “Goodbye Cruel World” video boasts breathtaking landscapes; stylishly, high-concept cinematics; and a captivating video performance by Paige. The backstory behind the video is that Paige, and two of her friends, found themselves stranded together when the pandemic took over. They were confused, terrified, and kind of curious if they could spend lockdown doing something creatively constructive. The trio set out on a cross-country adventure that stretched from the vintage elegance of the Silver Sands Motel in Southampton NY; to North Carolina in a ghostly KMart location being liquidated, and the gorgeous sand hills in Jockeys Ridge State Park; to Bisbee, Arizona at a vacant beautiful hotel and artist retreat and in the desert; and, finally, back to New York City months later with How Tragic reuniting for a filmed street performance at Coney Island.

“Goodbye Cruel World” is a mid-tempo punk song with a touch of 1950s balladry overtones, and it’s as seething as it is sensual, smoldering with ill-fated romantic ideals. One choice passage reads: We hemorrhage apathy, As The World Turns/There’s not much else to do but sit and watch it burn/Goodbye, cruel world/Goodbye, cruel world/and this wasteland/Goodbye cruel world. This is a song for the ages, but we will probably be looking down at our phone checking out influencers, and the meticulously-curated lives on display when the earth explodes in a big ball of fire. But we can’t say we weren’t warned.

Previously, How Tragic (unsigned) has been championed by rock legend Rodney Bingenheimer who introduced the band on his radio show where he premiered the single “Deathwish.” The quartet has issued the 4-song EP, Past Lives—co-produced by Paige alongside producer, engineer, and mixer Matt Chiaravalle (Courtney Love, Debbie Harry, Warren Zevon)—and debuted as a headliner at the iconic rock venue the Mercury Lounge.

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The Speedways release new video/single “Shoulda Known”

British power pop band The SPEEDWAYS have released a new video for their new song “Shoulda Known.” The video was shot & produced by Jez Leather and filmed on location at ‘The Lexington’ in London.

Taken from the forthcoming LP ‘Talk Of The Town’ available on Snap!!/Hurrah Musica & Beluga Records November 2022.
The single “Shoulda Known/A Drop In The Ocean” is available on Bandcamp.

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Lorne Behrman releases new video/single “I Hope The Sun Doesn’t Catch Us”

NYC punk rock n’ roll singer-songwriter-guitarist LORNE BEHRMAN today (July 27) shines a light on the history of NYC rock with his Television-inspired song video, “I Hope The Sun Doesn’t Catch Us,” by sharing its video. This is the second single + video from his upcoming solo debut album A LITTLE MIDNIGHT due out September 16 on Spaghetty Town Records. It follows LORNE’s acclaimed 2021 four-song EP When I Hit The Floor, which prompted the esteemed Jesse Malin to note: “Real blood and guts rock and roll that bleeds with soul and redemption.” Watch the “I Hope The Sun Doesn’t Catch Us” video, directed by David J Barron and filmed in Manhattan, HERE. Also read a new Q&A below about the song that will be released digitally this Friday, July 29.

“I Hope The Sun Doesn’t Catch Us” is tough and tuneful NYC rock with a tender emotional heart that embraces the lyrical surrealism and guitar flights of pivotal band Television. The video by LORNE, who previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks and most recently The Sweet Things, was premiered yesterday (July 26) by MXDWN, which noted the video: “…gives viewers an incredible sight of Behrman strumming his guitar with fantastic talent and singing about hoping that the sun doesn’t catch us, as we follow a man and woman on the streets of New York trying to get away from the sun that is blaring down on them.”

The 10-song A LITTLE MIDNIGHT is a series of New York City vignettes haunted by shadows but guided by light. The words here are literate and lacerating, recalling the street poetics of Lou Reed, Richard Hell, and Television. The songs feature stark and fluid guitar playing in the spirit of The Stooges’ James Williamson, Johnny Thunders, and Lou Reed.

“This album is about struggling to be reborn,” LORNE shares. “Wanting to run back to the arms of toxic people or the patterns of self-destruction. It’s about clawing your way to a new existence while acknowledging all the causalities, and all you’re letting go. You glimpse a new life, but you don’t feel it yet.”

The album’s raw but polished production aesthetic is courtesy of producer Matt Chiaravalle (Warren Zevon, Joe Bonamassa, Spacehog). A LITTLE MIDNIGHT was mastered by Grammy-nominated engineer Joe Lambert. Wyldlife bassist Spencer Alexander designed the album artwork, and it is a subtly playful homage to the cover of Tom Petty and the Heartbreakers’ Damn the Torpedoes.

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Toward Space releases new video “Modern Medicine”

Richmond, VA band TOWARD SPACE has just released a new video for their new single “Modern Medicine”. This time the band takes us into a dream-like atmosphere slwoly turning int a psychotic nightmare in which groovy bass, Lynch-esque guitars and naughty nurses all meet under 80s lights and a vintage horror movie mood.

Director/Editor
Seyla Hossaini

Produced by Toward Space

Cast
Haley Jeannine
Temple Woodard
Morgan MacGregor
Sable Grayson
Taylor Damizia
Alex Flowe
Erica Fox
Miriam Hossaini
Kaili Fox

https://towardspace.bandcamp.com

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Joe Normal Releases New Video “Summer Jobs”

Joe Normal (The Zeros) has just released his new video “Summer Jobs”:

“I was raised on the comedy of Benny HillThe Little Rascals, and The Uncle Floyd Show, so I wanted to make a video for “Summer Jobs” that brought a bit of that kind of humor to my song’s blue-collar ‘stick it to the man’ storyline. Please join me for a melody and a laugh.”

– Joe Normal

OFFICIAL WEBSITE: JoeNormalUSA.com

YOUTUBE: Youtube.com/JoeNormalUSA

INSTAGRAM: @Joe.Normal

FACEBOOK: Facebook.com/JoeNormalUSA

BANDCAMP: https://joenormal.bandcamp.com/

Lorne Behrman releases first single from debut album “A Little Midnight”

The “A Little Midnight” single is a slice of dirty rock n’ roll scrapped off of the streets of the Bowery with an introspective heart from the artist who previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks and most recently The Sweet Things. “The moonlight looks on good you/Not darkness just silver blue/A little midnight/it’s alright/A little midnight/does you right,” sings LORNE on the song.

A LITTLE MIDNIGHT is a 10-song collection is a series of New York City vignettes haunted by shadows but guided by light. The words here are literate and lacerating, recalling the street poetics of Lou Reed, Richard Hell, and Television. The songs feature stark and fluid guitar playing in the spirit of The StoogesJames Williamson, Johnny Thunders, and Lou Reed.

“This album is about struggling to be reborn,” LORNE shares. “Wanting to run back to the arms of toxic people or the patterns of self-destruction. It’s about clawing your way to a new existence while acknowledging all the causalities, and all you’re letting go. You glimpse a new life, but you don’t feel it yet.”

The album’s raw but polished production aesthetic is courtesy of producer Matt Chiaravalle (Warren Zevon, Joe Bonamassa, Spacehog). A LITTLE MIDNIGHT was mastered by Grammy-nominated engineer Joe Lambert. Wyldlife bassist Spencer Alexander designed the album artwork, and it is a subtly playful homage to the cover of Tom Petty and the Heartbreakers’ Damn the Torpedoes.

The track listing for A LITTLE MIDNIGHT is:

01 – Love Stumbles By
02 – Harlem River Serenade
03 – I Can Burn You Down
04 – Monday Morning
05 – Well, I Can’t Hold You
06 – A Little Midnight
07 – You Wont Live In This Past
08 – I Hope The Sun Doesn’t Catch Us
09 – Black Cars
10 – Further On Down The Road

Torpedohead release video for new single “One Step Ahead

Torpedohead release video for new single “One Step Ahead”.

Rock n’ roll power trio Torpedohead are back with the brand new single “One Step Ahead”.

The video showcases the band performing in a no frills, let the music do the talkin’, sleazy bar room, delivering a stompin’ underground rock groove with a sticky chorus in classic Torpedohead style.

The new single “One Step Ahead” will be paired with the EP „Trphd“, released on 27th May and also serves as the first single from a new full length album to be released end of 2022 !

Combining a riff oriented hard edged sound with melodic supercatchy choruses and fast and furious punk n’ roll while transforming this into their own modern rock sound, Germany’s power trio Torpedohead lives the imagination of a 70s stadium rock n’ roll tape coming through a trashy 90s stereo, digitally remastered today for speeding down the autobahn !

Watch „One Step Ahead“ here:

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