SUBURBIA BLENDS are from Sao Paulo, Brazil, but they seem to be very influenced by the 00s Scandinavian rock’n’roll scene. Opening song “Morphine & Wine” sounds as a punker BACKYARD BABIES while “Right To Know” is closer to early TURBONEGRO. Their high-energy rock’n’roll also leads us to think that SUBURBIA BLENDS are into ’77 punk and the DEAD BOYS as well.
These 4 songs sound more like a demo than a record, but SUBURBIA BLENDS manage to introduce themselves quite well in less than 10 minutes./Laurent C.
This Italian band has chosen quite a weird name and is not afraid of flashy colours and cheap cover art, maybe not too inviting at first, but these 5 songs are worth checking. The two first songs off us some pretty rockin’ glam pop punk with a good dose of humour (“Ronnie”) and punk rock’n’roll craziness (“Broken Record Player”) that isn’t too far from what the PEPPERMINT CREEPS used to do
DANCING CRAP doesn’t seem to care much about limits, sometimes getting close to 90s fusion/crossover (“Another Crazy In The World”, “Chandra”) and bands like MORDRED (without the thrash metal parts.) This might sound like a messy description, but have a listen and you’ll see it works quite well in the end, Italian style!/Laurent C.
.…Whatever you may think of James Stevenson’s gorgeous wife, you have to admit he is one of the coolest guitar players in the world and plays in almost everyone of the best enduring bands. You know how drummer Danny Fury played in Lords Of The New Church, Rogue Male, Anita Chellemah, Dogs D’Amour, Sham 69, Vain, and TANGO PIRATES??? Similarly, James Stevenson’s played in Chelsea, Generation X, Gene Loves Jezebel, The Alarm, Glen Matlock & The Philistines, and the International Swingers.
He’s made a name for himself as a writer with a book and many contributions to professional guitar magazines under his belt. This E.P. is a promotional teaser designed to energize the worldwide fanbase already eagerly anticipating his forthcoming full-length, entitled, “EVERYTHING’S GETTING CLOSER TO BEING OVER”. It’s slick, world-class rocknroll reminiscent of Duran Duran, Power Station, Psychedelic Furs, or even Mick Jagger’s better solo albums.
I wish I knew someone in my hometown who still played guitar like this, I’d start a band of my own with them. It’s dark, swanky, and ripples with the esteemed talents of Stevenson and friends, an all star cast of pros including various former members of Spandau Ballet and the Sex Pistols. The guitars are awesome, in league with Mick Ronson, Billy Duffy, K Bombay, Derwood Andrews. Reminds me of living in NYC in the big 80’s, walking down 8th Street in the dawn’s early light. Beautiful vocals, he’s backed by the Sex Pistellettes-Maggi Ronson, Elizabeth Westwood, and Tracie Hunter. He’s effin great at what he does, if you like flawless, epic glam rock ala Generation X and Mott The Hoople, you’re sure to love “Suzi’s Problem” with it’s hypnotic and decadent guitar playing reminiscent of all your faves from the Cult to Billy Idol. This lot are members of the last class of real rocknroll dynamos who are still able to make a living performing and generating beautiful music for the masses. I duff my hat to all of ’em. Fantastic. I think he’s currently on tour with International Swingers. Catch ’em live when they play your town!/Anguish Young.
Wearing FASTER PUSSYCAT, and BACKYARD BABIES shirt on the cover photo, Russian sleaze rockers ADDICTION FOR DESTRUCTION have been around since 2010 and their choice of shirts isn’t random at all as the band’s music is strongly influenced by the 80s L.A. scene and the 00s Scandinavian one. They are also fond of big female backing vocals (“On My Needle”, “Rock’n’Roll To You”) , sometimes not too far from POISON (“Native Tongue” era) or FASTER PUSSYCAT (“Whpped” era), GUNS N’ ROSES kind of solos (“Nervous Breakdown”) and sleazy guitar riffs (“Feelin’ Fine”, “My Resistance”). “Jane Is Insane” is one of the catchiest tunes on here, it even has a cool harmonica intro that adds a nice bluesy feel to the band’s music.
Maybe not the most original and personal album in the world, but if you like The PROPHETS OF ADDICTION and HARDCORE SUPERSTAR before they went too metal, then you’ll probably love “Neon Light Resurrection”./Laurent C.
Swedish punk rock’n’rollers VIETCONG PORNSURFERS have been around since 2007. After several line-up changes, here they are back with a new high power release. As years went by, the band’s music evolved towards an early TURBONEGRO kind of rock’n’roll mixed to some MISFITS influences that can be heard mostly in Tom K’s vocals.
While The SURFERS like have a thing for speed-up punk’n’roll (“Make You Hate”, “Just Another Crime”), they also know how to add a very welcome glam rock touch in songs like “First High” or “Don’t Look Back”, and sometimes mix both sides (“Hate Your Band”) with natural ease. The raw and live production really fits with the band’s energy and emphasizes Rackarn’s powerful drum playing.
Scandinavian rock meets American punk’n’roll works quite well on this album, and I can see it being appealing to the German audiences especially. In one of the best songs of the album (“Dead Track”), singer Tom tells us “rock and roll was dead long before I was born.” It might be true, but in this case, “We Spread Diseases” is a good way to work at its resurrection!Laurent C.
French electro-glam-punk band DEAD SEXY are back with 12 new songs wrapped in flashy pink. Now based in Berlin, the runaway boys logically added some sound influences from the capital city of Germany in their music (“Panorama”, “Plastik Emotion”…), but they also kept their love for poppy dancey rock’n’roll alive, mixing The STOOGES and BLUR in “Anyway”,rocking to dancey boogie glitter beats in “Forever High”, occasionally flirting with punk rock (“This Is Rodeo Böys (dedicated to Rob Reiner), “Just a Dog”), and Mickey Blow (Johnny Thunders band) appears as a guest on harmonica. Founding members and vocalists Emmanuelle H and Stéphane H both use English and French, and they sure know how to make their Frenchness stand out, the best example being “Lonesome Poupée”, just imagine a place somewhere in time where the Yé-yés suddenly decided to start playing electro-clash and you’ll be getting close to the idea…
Some of these songs like “Slow Motion” and “You Can Make It” will stay stuck in your mind as soon as you listen to them, and it will be hard for you to keep your feet still while listening to “Rodeo Boys”. So, get this album without further delay, put your glitter boots on, and don’t be afraid to smear some lipstick on! This is how they rock!/Laurent C.