Acey Slade & The Dark Party

Acey Slade’s first solo album isn’t really what you could have expected from the ex-MURDERDOLLS/TRASHLIGHT VISION… member. No horror punk metal or sleaze street punk here, Acey chose to explore the electro-rock territory with The DARK PARTY. He tells us a bit more about it and his future projects.

Can you talk about the album? Why did you choose a drum & bass producer (Shaun Morris)?

-He didn’t know anything about my old bands so there was NO WAY it could sound like anything else I’ve done. I mean, it would be me-so it would still have Acey Slade in it. But, nobody to kinda influence things toward a specific direction.

Did you have a precise idea about the way you wanted the band to sound before recording or did it really come into shape while recording the album?

-Nope. The idea was no idea. I mean, I had a lot of points of referance that have nothing to do with each other. Some Visual Kei/Japanese rock bands, old post punk..which stems from glam ya know!

Do you see this album more as a solo album or as a brand new band?

-Yea, it’s a solo album. But now, the live band is ‘the band’. We are working on new music-as a unit all the time. So, it’s changed a bit.

How did you get to work with TrashPit records?

-I just wanted to work with a company that wanted to work! They have done everything they promised and more! Great, great label!

There’s a cover of The CULT’s “She Sells Sanctuary” on the album. Any other cover song you’d like to play with the DARK PARTY?

-Funny. We are recording a free cover album EP to come out later this year. It’s going to have Plexi, Redd Kross, Kate Bush and Hanoi Rocks covers on it. We also did ‘As Heaven is Wide’ by Garbage for the US version of the album.

Speaking of The CULT, they are a band who experimented with different styles through their career but they still managed to have their own identity… Do you see this as an example?

-Yes. They changed with each album and I plan on doing the same.

How would you describe your live shows compared to the ones you played with your former bands?

-A lot more musicianship. Probably because I play less, ha,ha..But more fun and more moody. I wanna incorporate more theatrics soon.

Imagine you have to choose 5 albums made in the 2000s. Which ones and why?

Wow. The past 10 years. Rancid ‘Industructable’, Ladytron ‘Witching Hour’, AFI ‘Sing the Sorrow’, APop ‘You and Me Against the World’, Wildhearts, ‘Wildhearts Must Be Destroyed’.

We talked about the MANIC STREET PREACHERS last time I interviewed you. Your thoughts on the last album?

-It’s very good. I saw their 1st NYC show in over 10 years a few weeks ago. It was very emotional to me. Great show!

Nowadays, lots of people just download music or listen to it directly from streaming websites. Isn’t it sad? Don’t you think they’re missing something? Nevertheless, as CD sales keep on collapsing, vinyl ones have been increasing these last two years. Can you imagine vinyl being the main music support again in a couple of years?

-Nahh..I mean that would be cool. I still believe in the hard copy of an ‘album’. I think Vinyl pants will make a bigger come back that Vinyl records. Ask Lady Gaga, ha,ha..

You live in New York, what do you like and/or diislike there? What are the good places to go to there these days?

-I like how continental it is. It’s really the port of the world and I love experience new people, new music and new art. The whole world come here. New York has a lot of that. Sadly, the rock scene here has been bad the past few years. The good part is its so safe. Humm the rock n roll leaves the city and it becomes safer…is there a connection.

Last movies and books you’ve enjoyed?

-The Death of Bunny Munro’ by Nick Cave. Movies, ‘Dead Winter’ a Norweigin Zombie Nazi movie and ‘Old Boy’ a Korean drama-very twisted!

What’s next for the DARK PARTY?

-This fall will see us touring quite a lot! We have a live album and DVD ready, a remix album, and this free covers EP. And-I wanna record our 2nd album. …this is just the lighting of the fuse!

http://www.myspace.com/aceyslademusic

Aesthesia

Fresh from a killer gig opening for Nashville Pussy carrying a new album “Shattered Idols” under their arm, Parisian hard rockin’ band AESTHESIA tell us a bit more about their history, their new album and the French scene.

Can you tell us a bit of history about the band? When did you guys start? How did you meet?

/JULIEN/ In the beginning of 2005, I remember that Nico & I were really tired about our previous line up which had just blown up, then we tried hard to find the good members, those who really wanted to plays music, not just for fun, but the musicians who want to write songs, play on stage, go on tour… no pain no gain you know what I mean?

/NICO/ Yeah, I remember these times. We decided to leave our tiny town for Paris, the city of lights you know? It’s there that the story really begun. We wanted to build a real rock n’ roll band, you see? It was not possible with all the jerks that were surrounding us in our cheap gloomy town. So we decided to move. At this time, Ox Comrol on bass and Mike Marcia on drums replied to some ad and joined us in Aesthesia. Then Voodoo, that we met at a Velvet Revolver concert, reached the band a little later.

It was when we wrote songs like “Burned Macadam Road”. It’s crazy how this song is still driving the audience crazy. We recorded our first demo, 5 tracks, “Take It As a Last Chance” in 2005, then our first album “Serious Conspiracy” in 2007. We made our first real tour in 2009 in Germany, Italy, Switzerland, Begium and France. We had some changes in the band, Johnny Lips came on bass, and, just before recording our new album “Shattered Idols”, Jetblack officially replaced Voodoo on the second guitar.

Tell us about your new album “Shattered Idols”. What is the meaning behind this title? How did you get Thomas Silver (former HARDCORE SUPERSTAR member) and Kenny Hàkansson as guests?

/JULIEN/ The late 90s- 00s Scandinavian scene with bands like Hellacopters, Babckyard Babies, Hardcore Superstar & the youngest Babylon Bombs…. has been a great discovery for me, so far as I remember during the 90s, only bands like Michael Monroe, The Quireboys or the The 69 eyes debut album sounded rock n roll like that, really dirty guitars with funny chorus & looking so great, but saddly a lot of swedish bands were really hard to find in France if you didn’t have a good record shop around.
Also, we had the idea to invite these musicians to this album cos we really like their own bands! J Lips & I, have met Kenny during the Hellacopters “tour before the fall”, we have spent a great time with him after the gig and stayed in contact then, he was ok to play on one song, he’s a really cool & lovely guy! Silver was ok too for playing a solo on the album, unfortunately it was too hard to meet Thomas and we did the recording using the Internet. you know I think Hardcore Superstar is really not the same with Vic Zino, even if he’s a good guitarist, the feeling is not the same now….

/NICO/ The meaning of the title? Well, it means many things. The songs are about people we meet, people that you believe in but in whom you can’t believe. When you open your eyes, you are just fucking alone. They are speaking about betrayals, or all the bullshit some people can tell you, Girls who are not able to make any difference between love and prostitution, bitches I met. You see, it’s like a moment when your naivety ends, you open your eyes, and see things on their true side. You believed in good and beautiful things but everything is fucking wrong. That’s what “Shattered Idols” means.

Nico, your vocals are often compared to Axl’s, are you sick of it or do you just take it as a compliment? What do you think about the new GUNS N’ ROSES?

Well, first, to be honest, I really love what Guns n’ Roses, mean in the 80s and 90s. At first, in the beginning of the band, I was a little sick of this comparison. I tried to change my way of singing, but I realized it was more artificial to try to sing another way than going on like this. Because my voice is like this, that’s all. After all, I think it’s more a compliment than anything else.

You opened for bands like ROSE TATTOO or MOTHER SUPERIOR. What are your best gig memories so far?

/JULIEN/huummm, we played with the Vains of Jenna last year, they’re really cool, we spent some good moments with them in a famous boat in Paris(lol), same with Babylon Bombs with whom we played at a festival, they’re so funny.. I was really sad when I learned that they broke up…We had great moments during the last tour too, at Paunchy Cats, really great audience.

/NICO/ Recently, we opened for Nashville Pussy too. Well, I think it’s one of my best memories. When we came on stage, we were in front of a big audience. Everybody was waiting for what we would show, and they became really crazy as our show was going on. It was such a good feeling. At the end of the show, we signed autographs to the fans with Ruyter Suys. We were joking together, Yes, it’s one of my best memories. Hope to have more like this.

Tell us a bit about the rock scene in Paris nowadays…

/JULIEN/I Think the rock scene in France is doing better since a few years, we started to have several bands which are touring in a lot of foreign countries and play in good places…. and with good songs hahaha, but it’s always hard to sell records and have a good venue to play, even with the Internet, also we need you in the audience everywhere we go.

/NICO/ A few years before, we were alone with Tracy Gang Pussy. Now the scene is growing more and more with new bands like Sticky Boys, Blackrain…. I think it’s a good thing.

How come there’s usually between 300-400 people at the glam metal boat parties in Paris and, on the other hand it’s hard to get 100 people at club-sized gigs?

/JULIEN/Hahaha…. So sad, yes I often ask myself the same question when I m going to “little” clubs in Paris with a good band, there is often less than 50 dudes in the crowd, even if it’s an 80s Glam rock band From L.A. or someone else….where are the boat people??? you could ask the same things with the Guns n’ Roses audience, why did they have more people at Guns n Roses than at Ozzy Osbourne?… don’t know too (stupid guys) I just noticed and it’s important man that a lot of real music fans come from far around Paris and drive a lot of kilometers to come and have fun at concert, no matter if the band is wellknown or not, respect dudes!!!

/NICO/ I think people only go to concerts or parties today to have some fun, listening to songs they already know. They are sure to dance on “Welcome to the Jungle”, “Walk This Way” and “Roots Bloody Roots”… Things like this. Meanwhile, it’s not the same trip to go to a concert of a unknown band or going to a metal boat party. For many reasons. But I have the feeling that things with this kind of parties that the bands and concerts are going to be more attractive too.

Favourite 2010 albums?

/JULIEN/Blackberry Smoke “Little Piece of Dixie” but I think it was released in 2009.
Danko Jones “Below the Belt”.

/NICO/ Maybe “Nightmare” from Avenged Sevenfold.

Favourite show you’ve seen in 2010?

/JULIEN/LA GUNS & Pretty boy Floyd & the Quireboys.

/NICO/ None.

The intro for “Hoodoo Queen” is quite reminiscent of the ROLLING STONES. Keith Richards once said “Everyone talks about rock these days; the problem is they forget about the roll”, what do you think about this quote?

/JULIEN/Rolling costs are very expensive in France because of the gas price, FUCK OFF!!!

/NICO/ Well, about the quote, I would say that everybody’s speaking about Rock, when they speak about leather clothes, new haircut… they try to give their music a kind of attitude, but that’s nothing but fake, you know. Nothing authentic, real. But here we are now! Ah a!

What’s next for AESTHESIA in 2011?

/JULIEN/ we had a lot of great feedback with the album, thank you everybody, we will try to make the best to go on tour and play as much as we can.

http://www.aesthesia-rocks.com

Alley Sin

Good bands don’t always come from where you’d think they would. ALLEY SIN is the living proof of that. Vicious Bastard (guitar) and Nikki Riot (vocals/guitar) tell us about the band and their country, Bulgaria…

So, when did you start the band? Was it easy to find a line-up?

Vicious Bastard: I met Nikki through Myspace, haha. I’ve been looking for people to start a new band for a while and when I read that the band he played in were looking for a drummer, I called them. So that’s how we got in a band together and not long after that, we wrote music together, but we had some differences with the third person in the band, which made the work hard and so, in August last year we parted from the bass played, I took up the second guitar and we got the name Alley Sin.
A friend of ours – Bob, took up temporarily the bass, and behind the drums sat people from other bands for several gigs. We also made a series of electroacoustic shows, just me and Nikki. After that, Bobby replaced Bob for a couple of shows. Now we have a permanent line-up. Stefan is the bass player, and Alexy is behind the drums, and we feel sure.
Nikki: We met purely by chance. I was looking for a drummer for my band, when from three people we turn out to be two, I had to take up the role of the vocalist, beside that of a guitar player. I had put up an advertisment in the rehearsal studio, where V.B. went with his other band, and there was also an advertisment in our Myspace. V.B. wrote to me and we met to do a rehearsal together.
From the first song I knew that this was the person I’ve been looking for…

Tell us a bit about your 3 song EP “Rock’n’Roll Sluts”.

V.B.: That were the first three songs we wrote together with Nikki. We recorded them the very first month after we started Alley Sin. We wanted to show, that we’re a new band, something different than the previous band we were in together and the new recording was a good decision.
The cover art is done by LongEvil from Go Citizen! The EP had to be out even as early as September, but we delayed it because of the promises of some people to publish and promote the CD. And so on till February, when we decided to get the things in our own hands and we released it ourselves.
Nikki: That were the first songs we wrote together with V.B. We had to record something, so that we know where we’re on and find the needed line-up. “Rock ‘n’ Roll Sluts” matches the titles of our songs – “Sweet Candy”, “Bastards in My Way”and “Crazy Baby”.
All of them involve chicks, party, sex, porn stars – in short – rock ‘n’ roll, I don’t think you need further explanation, haha.

You seem to play quite a lot there in Bulgaria. How is the rock scene there? is it a good place for a band to play? It seems like there’s more than a few rock’n’roll fans there.

V.B.: Yes, we surely play here a lot. We even refuse gigs, because we’ve played a lot through the last few months and we don’t want to bore people.
Nevertheless, Bulgaria is a quite small country. There are fans here and they’re hungry for rock ‘n’ roll, but the scene isn’t developed yet. Practically, we have no equivalent here.
There are more metal bands or bands with Seattle influences here. It’s hard for the bands. I’m not speaking of money, this is not the only place where you can’t make a living just by this. There’s no one to release rock ‘n’ roll here, and no decent rock at all. The labels mainly release some pop, pop rock or alternative bands.
The clubs still tolerate cover bands and I’m not talking about tribute bands, but about bands that play all sorts of rock songs with not the least bit of attitude, not to mention that there’s nothing on the stage – nor image, nor any show. So a band like us can hardly play in some clubs during the weekend, when there are more people gathering.
Maybe it’s just the hardcore scene that got developed and has it’s own pattern, but I think that’s because of their philosophy to stick together.
Nikki: With other words – things aren’t looking good at all. In fact, there are rock ‘n’ roll fans, and they like what we do…
Unfortunately, the scene is built mostly of cover bands or just bands that lack certain orientation of style, that don’t know what or why they’re playing.

I remember you mentionned trouble with some skinheads or something at one of your shows. Does it often happen there?

V.B.: Yes, that happened on the promotion of our EP in club Fans. It’s a common thing here, that monkeys of that kind are being hired as security guards and there are cases when they exceed their authority.
There are alredy two clubs that are in hot water.The one is already gone and there are hardly any people going to other for similar reasons. Yes, it seems that after the change of the regime here, the nazi shinhead movement is growing.
It’s some sort of a twisted nationalism, although the ones, that are hurt by poeple like that, are just the different ones, not the foreigners or people with different color of their skin. I personally was beaten up almost to death few years ago on the street and I suppose that was just because of my appearance and because I play in a punk band.
I guess it’s a trend for dunderheads with mental problems to cover their aggression behind words like skin, punk, metal and others.

I’m sure a lot of people actually don’t know much about Sofia and Bulgaria. Can you tell us a bit about it? What are the good and bad points of living there?

V.B.: OK, Bulgaria is a small, with about 8,000,000 people population, ex-communist country in the Balkans. It’s bordered by Serbia, Greece, Romania and Turkey. Believe me, that’s a very beautiful spot and if it wasn’t for the regime and the nowadays politics, it would have been a great place for living. We have a rich cultural legasy, wonderful nature, sea, haha.
Unfortunately, some things here have different names, but they remain almost the same like back in the time of the communism. Maybe it’s because of the closeness and the influene of Russia at that time that we were so hurt by the regime.
Many countries of the ex-socalist block weren’t so affected and are a lot better now. I’m not speaking just about their economy, but also about the music… the scene there has developed, they have more traditions in it, so to say.
Sofia is the capital of Bulgaria and at the moment the main things are concentrated here. Many people move here and now it’s getting overpopulated. There’s more work and better salaries and everyone tries to move. That affects everything. The bands also have more chance here.

How is everyday life for a rock musician there?

V.B.: To be a musician here isn’t a privilege at all. Most musicians here go to work to provide for themselves and their families.
It’s hard to make a living out of music. Maybe that’s one of the reasons why the music niche isn’t of a good quality. The creative process requires more time and when you don’t have enough, it affects it.
Some people have part-time jobs or such with flexible working hours, so they have time to play. Or their work is connected with their music. This is how it is with Alley Sin, for example. Alexy is a sound engineer at concerts, Nikki is a translator… that’s how we have time for everything concerning the band. Well, most people who prefer that option, deprive of certain stuff, because they don’t make a lot of money that way, but there’s no other way… If you want something to happen, you’ll have to sacrifice certain things.

Have you played in other countries yet?

Everyone of us has played abroad. Me and Nikki have lived and played outside of the country before, but as a band for now we’ve been just once to Thessaloniki, Greece.
But on the 15th May we’re playing in Novi Sad, Serbia. It’s hard for Bulgarian bands to play abroad, just because the world isn’t familiar with the bands here and I suppose that the risk for inviting musicians from here is bigger, and it’s finantially hard fot us to arrange a tour ourselves. To be honest, there are many people outside of Bulgaria, who ask us when are we going to play here or there, but for how that’s hard. We’re trying to make contacts which can help us in that matter.

Your bio says “ROCK N ROLL IS AN ATTITUDE, NOT A TREND!”. Are you sick of seeing rock bought and sold by mainstream media just to sell clothes? Rock has been more popular again these last few years. Don’t you think that even if kids don’t always listen to the best kind of rock’n’roll, it’s still better for them to listen to guitar oriented music rather than techno or whatever?

V.B.: For us, it’s important to have an attitude when you’re doing something, whatever it may be. Everything that’s done with no attitude, but with the single goal to obtain money or fame, is temporary and people sense it sooner or later. Lately, there have popped out lots of rock messiahs, who’re saving the rock ‘n’ roll, because that’s the trend. Rock ‘n’ roll doesn’t need to be saved.
It’s always been here and it will be here. Rock ‘n’ roll isn’t just about those bands that play on stadiums, but also about bands like the Adjusters, for instance. Now, more that any other time, there’s a boom of all that stuff. All sorts of people sell rock ‘n’ roll clothes. There are stores where you can get yourself everything. You want to be a ’77 punk – there they are, the clothes you need. You want to be an ’82 anarcho-punk – you can get everything from the shop and that prepared jacket with all needed accessories, for instance. It’s a bit like a factory, everything is like by conveyor. That’s not rock ‘n’ roll.
For me, rock ‘n’ roll has always been an attitude, a conception of the world, a way to express yourself. And for the people like me, who have grown up in totalitarian times, rock ‘n’ roll has always been a synonym for freedom. Don’t get me wrong, I have nothing against the money and the fame, but I’d never do anything just for their sake. If money is the goal, I’d get myself another job. Otherwise – yes, I agree that it’s better for the kids to listen to guitar-oriented music, than to scrape on some techno parties, stuffed with all sorts of shit.
Nikki: Yes, definitely it’s better fot the kids to listen to rock ‘n’ roll than to get zombified by techno and stuff like that. However mainstream rock ‘n’ roll may be, it’s still rock ‘n’ roll, and it’s, on the first place – JUST FOR FUN. But I personally get pretty annoyed by T-shirts with Sid Vicious, the English flag and “punk” or “glam” as caption, which are sold in the stores of Terranova or New Yorker. It’s quite hilarious, concidering the fact, that the people who shop there have never heard of the Sex Pistols.

“Bastards In My Way”… Who are they?

Nikki: “Bastards in My Way” is more like a collective image of everyone who, in one way or another, gets in your way. Those who yell at you on the street, just because your wearing tight jeans, the bastard that tries to steal your chick, those who seek confrontation just for the sports. They are everywhere…

Here’s a difficult one, which one do you prefer and why?:

Yes, that’s a really difficult one and to be honest, the answer will be quite relative.

SEX PISTOLS or The CLASH?:

V.B.: Maybe I attach greater importance to the Pistols. Maybe it’s more because of sentimentality. I remember hearing them for the first time when I was a student. From then on nothing was the same, although I can’t disregard the Clash. But speaking of punk, Ramones are my heroes.

MOTLEY CRUE or GUNS N ROSES?:

V.B.: Everyone from the band stands behind Motley Crue. They were the main catalyst for me. I first saw them in a magazine in ’84 and I was really impressed. After that, someone gave me “Shout of the Devil” and everything started. And after I managed to see them live in ’89 in Moscow… I now wanted to be in a band… Thanks to them I discovered most of my favorite bands. They’ve influenced Nikki in a similar way later. We like Guns ‘n’ Roses, especially their early stuff, but something is missing in “Illusion”. And today, we can say that they’re already gone, as for Crue – they’re still here and they can still kick our asses.

AC/DC or KISS?:

V.B.: Here it surely get’s really hard. Both bands have given us a lot. Maybe we’ll give a slight preponderence of AC/DC. Nikki is really influenced by them. Alexy, Stefan and I – too, but on the other hand – the ’70s albums of KISS are amasing.

ROLLING STONES or BEATLES?:

V.B.: Here, the choice is clear – Stones. I was raised with them. My parents were fans. The Rolling Stones are an institution.After all this years they’re much more alive than many other bands. Their presence on stage, just everything! I have nothing against the Beatles, but I somehow remained aside from them. And I’ll repeat, that the answers are relative. All these bands have played their role in our growth as musicians, as people.

Name 5 of your favourite albums ever and tell us a few words about them, why are they so special?

V.B.: That’s a hard one, too. I’m already 38 and I’ve layed my hands on lots of records and it would be difficult for me to pick out just 5 albums, but I’ll shoot it spontaneously.

New York Dolls – “New York Dolls” – Somewhere there the punk is starting to gain it’s appearance. Just with two albums they managed to change the whole musical history. They’re one of my favorite bands.

Dogs D’Amour – “In the Dynamite Jet Saloon” – I adore this band! At that time the Dolls were already gone. In L.A. heavy bands with teased hair tried to convince the world that they were glam. And Dogs D’Amour just play rock ‘n’ roll in the spirit of the Stones – vintage sound just the way we love it. Unfortunately, maybe this wasn’t their time.

Motley Crue – “Shout at the Devil” – The album that changed everything for me. It uncovered a whole world for me.And made me find the bands that I love today.

Dead Boys – “Young,Loud and Snotty” – Awesome album! Because of it’s energy, the riffs and Stiv Bators, of course. When I put it in my player, I just can’t hear it just once. It just grabs you.

Motorcycle Boy – “Popsicle”…Whatever I say about this album, it won’t be enough, you just gotta hear it.

Nikki: For me “Too Fast For Love” by Motley Crue, because it was they who made me discover the glam rock ‘n’ roll, to get further to New York Dolls,Hanoi Rocks and others.

Followed by “Stiff Upper Lipp” by AC/DC, the last but one album of AC/DC, a very special one for. I remember getting it even on audio tape, I was 13-14. It showedme real rock ‘n’ roll, good that I got my hands on it – good ol’ rock ‘n’ roll.

“KISS”, the album by KISS from1974, my craze for KISS, Strutter is my favourite song. In general – all ’70 albums of KISS, they’re just KISS!

“New York Dolls” – New York Dolls, the band with two albums, that changed so much in the music.

“Faster Pussycat” 1988, the first Faster Pussycat album, I think I have a great influence by Taime Down in the vocals. Many people tell me that. At one time, I was really addicted to that same glam from the ’80s and especially to the first Faster Pussycat album and “Appetite for Destruction” by Guns ‘n’ Roses, the more-rock ‘n’ roll bands, not the glam metal wave.

If you ever had to move with the band and could choose between England and America, where would you go?

V.B.:Here we often have the argument between England and America. And for all sorts of reasons. And of course, the big fight about where the better music is made, haha. I’m not one of those people. I feel like a citizen of the world. If we have to move, I suppose that many other aspects will be deliberative. One thing is certain, we’ll go where it’s better for the band, ourselves and our families. To be honest, it would be great for us to play around the world, but to live here in Bulgaria.

What are your projects now? Any album or tour?

V.B.: New EP. It’s titled “All I Want” and we hope it’s out by June. Those days we finished the recordings.It’ll include 3 songs – “All I Want”, “Playing in a Rock ‘n’ Roll Band” and the acoustic version of “Down on the Road”, that is put in our profile. We think what came out is better than the first CD. But don’t expect huge surprises:) The same old trashy glam rock ‘n’ roll. We wanted to record an album, but we don’t think we’ll manage its finantial part at the moment. From May we start playing live again, one of the dates is in Novi Sad, Serbia. We’d like to make a tour and we’re trying to find someone who can help us with that. We can’t arrange and fund it ourselves. We’d be happy to play around in Europe. Through Myspace we connected with many bands with which we’d like to share a stage. One thing is sure, we’re moving on and having fun. That’s the most important thing, after all.

http://www.myspace.com/alleysinbg

Black Halos

Canada’s BLACK HALOS new album (“Alive Witout Control”) is now out in Europe on People Like You records. Since they just got back from their tour, it was the right time to ask Billy Hopeless (vocals) a few questions?“Alive Without Control” has just been released in Europe. It seems like you guys are very proud of it. How would you describe it compared to “The Violent Years”?
It’s Definitely a Black Halos album but due to the two new members to the family there are a few different touches to the sound. Over all it’s funny cause I just think we get better with each album and the nightmare vision becomes a bit clearer to both us and our studio god Jack Endino . If anything I think this album is our purest and truest from the bottoms of our black hearts .There’s a live energy in the production of the album, was it mostly recorded live?

Yeah jack Really thrives on that plus we never have much time so its crash and burn as usual .Its funny though some people always say were overproduced and we all laugh !

How did you first meet Adam, your new guitar player?

We met him on one of our first American tours and he’s always been like a brother to us now he’s finally joined the family .

You just came back from a Canadian tour, how was it? You probably have a few anecdotes to share with us?

Ha Canada is always good to us as it’s our home and native land . I think the most fun we have is taking Americans like Adam ,ZEKE ,or most recently our merch girl Shauna across and introducing them to Canadian culture ! Tim Hortons /Cheese curds/snow and moose you know it’s Canada!

The BLACK HALOS are always on the road, is music the only thing you do? Or do you all have jobs that allow you to go on tour whenever you want to?

I try to write for zines and i do a radio show when I’m at home but its hard to get let alone keep a job when you’re labelled as a black halo.

Is there a difference between Canadian and U.S audiences/shows?

Yeah Canadian audiences generally like to have more fun than U.S. ones and they wear toques while U.S. audiences wear beanies or wool caps !

Who are your favourite singers/lyricists/performers?

Wow there’s way too many to list but I really dig a Canadian songwriter called Art Bergmann right now ,hmm Little Richard,Alice Cooper,the RAMONES ,Ben Weasel , Lou Reed,Jesse Malin Simon and Garfunkle,D.O.A,S.N.F.U, the ZERO BOYS ,the MISFITS ,old KISS man there’s too many.

What other Canadian bands have you enjoyed lately?

the WEDNESDAY NIGHT HEROES ,RAISED BY WOLVES ,the FORGOTTEN REBELS ,ILLUMINATTI,the REBEL SPELL, Canada got a lot of great punk rocknroll.

Somebody once said ‘punk is not dead, it just sucks now’ do you agree?

No i think its more alive than ever but that statement is so punk !hahah

When I met you in L.A, you told me how important fanzines/webzines are to you. What are your favourite ones? Do you regret the time when fanzines where only paper DIY cut and paste zines?

No its like punk stores in the mall i think its cooler to see a store selling MISFITS and FEAR shirts than another Gap type store . I still like photo copy zines but i also like glossies it’s the content that matters. I’m probably going to start writting for LOUD FAST RULES so ill say they’re my fav cause they?ll hire me um and I like PLEASE KILL YOURSELF which is a photo copy zine from Houston, Texas , I really like FAT CITY and RAZORCAKE as well ,oh and POPULAR UNO from Spain rules ,I like RUE MORGUE horror zine man I like too many it’s like music dig ’em all no matter how big or small .man that was so phallic like a mae west quote or sumthin.

What books would you advise us to read?

Well, I really like Groucho Marx’s writting see everybody always compares us to the STOOGES and though i love Lary,Moe,and Culry I?m way more of Marx Brothers fan i guess we’re kinda like a Marxist band .oh i just read David Cassidy’s biography and he makes MOTLEY CRUE look like kindergarten kids when it comes down to debauchery ,hmmm Please Kill Me is a must read but if you aint read it you’re probably not reading this dig.

5 albums that you couldn’t live without?

Simon and Garfunkle’s gretaest hits ,the RAMONES anthology ,and our three albums.

What’s next for the BLACK HALOS? A European tour in March 2006?

I’m really hoping that happenism told the gears are in motion and I cant wait !!!!! we’re starting the new year off with a date opening up for SOCIAL DISTORTION in their home town of Aneheim, CA. so i think it’s going to be a great year.

http://www.blackhalos.net

Buckcherry (2007-03-26)

After a three year absence 2006 saw L.A sleazesters Buckcherry stage a near-miraculous comeback. From completely independent starting blocks they first hit gold with third album ‘15’, certifying 500,000 units sold, and then proceeded to hit every territory in the known world in an apparently never-ending tour. When the band rolled into London for the second time in 6 months Veglam met with guitarist Keith Nelson to discuss how they did it….
You’re playing some large venues in this UK this time, compared to the places you visited on your comeback shows here a few months back. After so long away did you have any conception of the level of support there would be here?
Keith Nelson (guitars): Not really. The last time we’d been here was I think 2000, we knew that it was going to be a slow re-building process – kind of what we experienced in the US because after taking that time off it was really up to us to re-introduce ourselves to our audience. We kind of anticipated playing smaller places and hopefully it catching on and us coming back, so it’s nice to see obviously some of these places we’ve doubled the size of the rooms and we’ve sold them out.
It does seem that there’s been a real genuine buzz around ‘15’ because with very little traditional publicity it’s had a huge impact.
Yeah the Internet has had so much to do with getting the word out people that want to find music. You’re not going to run out on the street and see billboards of our band and TV commercials you know but people that come to the shows and buy the record are talking to each other.
Having achieved this success independently would you ever go back to the kind of major label support that you had with the first two album given the choice?We definitely did do it independent. We had the record deal before where we were a big buzz band, we had a lot of money behind us. We had that experience, and then we didn’t have the luxury of that with this record. But at the same time we didn’t have anyone telling us what kind of record to make either. So you have to trade that a little bit when you get a big company behind you, you also give up a lot… you know, what your cover art is and what your songs are and what the guys in the band are wearing. There’s a lot of behind the scenes bullshit that goes on and I much prefer it this way because we’re making our music on our terms.

Did you get a lot of that when you were with DreamWorks?

Well they have a say in what’s going on and I can understand that from a business stand point but from the point of view of an artist, someone who wants to be in a rock’n’roll band, it’s not the most pleasant thing to experience.

The other major change since you last toured seems to have been in the musical climate. When you first came out you went very much against the grain of the nu-metal stuff that was big at the time, do you think the world is more ready for and receptive to Buckcherry this time?

In a way yes. I don’t feel like we’ve ever been in step with the most hip, happening thing going on. I mean we’re not Fall Out Boy, and that’s huge in the United States. We’re not Taking Back Sunday, those about the biggest bands you know, them and My Chemical Romance. So when we came out before the biggest bands in America were Korn and Limp Bizkit, and we weren’t them at the time either so I don’t think we’ve ever quite been the flavour of the month hip kinda thing, and I’m fine with that you know, we’ve managed to fight for our own little place in the marketplace and have the success that we’ve had.

Didn’t the album just pick up an award in the States?

It just went Gold. It’s sold over 600,000 copies right now. Indie bands are used to selling 20,000-30,000 records, getting in a van and doing their own thing, and then making another record. And we’re trying to be the biggest band in the world but doing it independently.

So obviously we know how long it took to record ‘15’ [the title refers to the number of days spent in the studio], what about in terms of writing – what sort of a period did it come together over? I know ‘Crazy Bitch’ is quite an old song….

Yeah Crazy Bitch was the only song that was kinda of held over from the period of time when Josh and I were writing songs at the end of the first version of the band you know. The writing period took like two and half / three months, somewhere around there, it wasn’t really a long process. We wrote maybe 30 songs, at the time to get maybe 16 songs to go in the studio with to get maybe 12 that made the record.

Having worked with other artists in between did you come to the conclusion that the working partnership you have with Josh [Todd, vocals] is something quite unique?

I think so. I mean Josh made a solo record and I worked with a number of different artists in our down time you know and when you have a rapport like Josh and I have, it’s really not that easy to find. I have never duplicated that process with anyone else so there’s a lot to be said for that.

The solo record Josh made during your break was a lot heavier than any Buckcherry have recorded – what did you make of that?

I really didn’t listen to his solo record, I heard a song, and I went to see a gig one time in L.A, and uh, you know it’s like watching your ex-girlfriend fuck her new boyfriend!! It’s not really something I was interested in… whether it was good or bad or indifferent.

Okay, we’ll get back to Buckcherry then! I think one thing this band covers very well is the tricky territory of rock ballads. There seem to be a lot of the slower tracks on ‘15’ compared to the first two records. Did anything inparticular lead you to take a more introspective tack here?

No, I think that every record has to have a balance you know, at least that’s the kind of record I want to hear. So I think that there’s always got to be room for one or two slower songs on there because we write them and part of being fulfilled as a songwriter is to write stuff like that. We could do 12 Crazy Bitches and put them on the record but I think it would be a bit boring. We’re big fans of some bands that have been able to really run the whole spectrum of music, if you look at the Rolling Stones or you look at Led Zeppelin or even Aerosmith they can do both sides and in the middle somewhere so it really is just following their influence I think.

The second single from the album, ‘Next To You’ was released in the UK yesterday, do you want to tell us a little about that, where that song came from?

Well initially that song – I don’t ever write lyrics for the band, Josh writes all the lyrics and I usually write the music – but I had this little phrase and the riff. I took it and I said ‘Josh, I got this little riff and I got this phrase’, and I said ‘I want the verses to kinda be like this and the chorus to be like this’ and he took the idea, went home, and came back with the lyrics you know. And once we got so far with that song we decided that we were gonna go talk to Marty Frederickson, just to see what was up and if he could maybe put his blessing on a song or two, and we took him ‘Sorry’ and we took him ‘Next To You’ and he said ‘well I’ll just tweak ‘em a little bit’. It’s funny because a lot of people have kinda said ‘well why do you need someone else to help you write songs?’ but it wasn’t that we needed someone else to help us, I think when you get the chance to get in a room with someone like Marty, a great songwriter, there’s something to be learned even if you don’t use the song and it was a fun experience. There’s nothing wrong with saying we’ve got really great parts of the song, but we’re kinda stuck.

So you ran a video making contest for the single ‘Everything’ in the US. The winners are here tonight, right?

We basically had a contest where fans could submit their own videos and the winner won a trip from the United States to London to come and see us. Some people put a lot of time and effort into it and to see people react to the music and actually go through the process of making a video it makes you feel so good as an artist to be touching this people so that they feel inspired to be creative. The submissions ran the gamete from very serious to the very… slutty!

All three videos from this album has started from fan’s Internet submission in one way or another and the promo campaign for it seems to be largely web based too – do we take it you’re in the camp who feel the net is the way forward for the music industry?

It’s hard to say, there’s so many options now. You can go on MySpace and click on MySpace music and you could look forever and it costs zero money to get your band it’s own webpage on MySpace. So there is a glut of music available at your fingers tips where as before you had to go the record store and you had to hunt through the independent record stores and it’s made it a lot more accessible. But I think that ultimately the one thing that regardless of downloading and computers and the Internet, the one thing that you’re never going to be able to replicate is a live band performance. Nothing will kick your ass like paying 18 dollars, going to a club, having the band blow you away and that’s really what we pride ourselves on.

You appear to spend your lives on tour, do you see yourselves as being first and foremost a live band?

I think so, I mean we went into the studio for two weeks and we’ll be on the road for two years so I think live is really where it’s at. If you notice, a band like us, there’s no tape running while we’re playing and a lot of bands they go out there and they have backing tracks and their fans don’t know it but their guitars and some of their vocals are coming through a computer that hooked up to stuff. And to me that’s just bullshit, we’re just five guys onstage and what you see is what you hear

.It seems fair to say you’ve had your share of ups and downs in the business, what one piece of advice from your experience would you pass on to those just starting out?

Just educate yourself on the business, because it is a business. It’s harder, and harder and harder for an artist to support themselves – nevermind mansions and Ferraris – just keeping your lights on at your apartment is hard! And the other thing is I don’t think you should ever, ever, ever let go of the dream of doing it the way you want to do it, you know even if you fail at first you know, you shouldn’t ever let go of that, because at the end of the day, people will know that you’re full of shit. We’re not the most moral thought provoking band on the planet but we are what we are and we’re not making any bones about it.

And finally, my trademark closing question; if you were me doing this interview what would you ask yourself, and what would your answer be?

(laughs) Well first I just wanna say thanks for not asking really annoying questions like ‘Who was Crazy Bitch about?’ ‘Where do we get our name from?’ and ‘How many tattoos do I have?’ I’ve heard those questions so many times I probably wouldn’t answer you. No one has asked me what my favourite ice cream was ever.

Well nows your chance to tell everyone – what is it?

Ben and Jerry’s Peanut Butter Cup – I highly recommend it!! It’s a great post-coital snack!

Interview by Alison B.

Casino Steel

Seldom have I felt this much anticipation. Today I will interview Casino Steel, the Godfather of Punk. Cas, the living legend who contributed to so many records that mean so much to me. The artist/songwriter with bands like Andrew Matheson & The Hollywood Brats, London SS, The Boys, Holton & Steel, Claudia, Big Hand, Casino, to name but a few. Cas, the man who actually turned down the offer to become a permanent member of the Ramones. “Casino Ramone” – put that in your pipe and smoke it! Casino Steel is more active than ever. We have just seen the pan-European release of the album “There Is A Tear in My Beer” on the Wild Kingdom label distributed by Sound Pollution. This is an album mixing Cas’s original songs with covers of country songs that are especially close to his heart. Not only that, but Cas and his old brother-in-arms Honest John Plain have just finished mixing a brand new album recorded in Annecy in northern France. The name of the band is “The Last Rock’n’Roll Band”.
(Interview by Jalle Jardland, Translation by Mats Sjöblom)

Cas, I would like to open with a question about how you and Andrew Matheson met in 1971, and how you came to start “The Queen”.

Cas: We met through advertisements in Melody Maker. We were both inspired by The Stones and wanted to start a band “to annoy and disturb”! We thought everything was too polite and uninteresting.

Can you tell us what happened on that night at the Marquee when you decided to change your name to The Hollywood Brats?

Cas: We had gigs at the Café des Artistes, The Marquee, The Speakeasy and Samanthas as “The Queen”. Then Freddy Mercury and Queen had a “hit”. He turned up at the Marquee with demands that we change our name. I told Freddy to go to hell, then Andrew threw him out of the dressingroom. We had already thought of changing our name to The Hollywood Brats, which we thought was a much better name, so there wasn’t a problem anyway.

The classic “Grown Up Wrong” was recorded in 1972-73. Why wasn’t it released until 1975, and why only in Scandinavia? What happened?

Cas: Nobody liked The Hollywood Brats. Genesis and Yes were popular then. Still, Mercury Records in Norway liked the record and we released it as “Andrew Matheson & The Brats” to avoid contract troubles with NEMS. The disc sold 563 copies. Today, a mint condition copy fetches £4000 according to Record Collector.

Sick on You has been the object of academic studies in Canada. Can you tell us about that?

Cas: The University of Toronto describes “Sick on You” in “The History of Popular Music” as the first ever intelligent punk rock song.

Hollywood Brats are often compared to the New York Dolls. How do you feel about that? Clothes, musical style?

Cas: We were very much alike, but we had never heard of The Dolls before they came to London. They had the same manager as us in London, Laurie O’Leary. We thought they were terrible the first time we saw them. We didn’t like any bands those days.

Do you know what the New York Dolls thought of the Hollywood Brats?

Cas: They thought we were fantastic!!

Why did you call it a day?

Cas: Nobody wanted us! We went to Montreal to try to get into the USA that way, but they hated us there as well!

You and Andrew have continued to cooperate and write songs through the years. Which song do you think is your best collaborative effort?

Cas: “Sick on You”.

Hollywood Brats never got the recognition you deserved, but “Grown Up Wrong” still influenced many bands even though distribution was limited to Scandinavia. Can you name any?

Cas: The Boys, The Clash, Sex Pistols, The Damned, Generation X, Slaughter & the Dogs etc.

Can you tell us what happened when the New York Dolls’ ex-manager Malcolm McLaren asked you and Andrew Matheson to a meeting to discuss an idea of his?

Cas: He told us that he was setting up a project that he wanted us to front. Andrew said “That’s the most ridiculous suggestion I’ve ever heard. Fuck off!” With those words we left Malcom’s office!

Was the project the Sex Pistols?

Cas: Yes, it became the Sex Pistols the year after.

How did you come to meet Matt Dangerfield and start writing songs with him?

Cas: Andrew and I got introduced by one of our friends, Geir Waade, who knew Mick Jones and Tony James. We were to start London SS, but Andrew thought Mick wasn’t a good enough guitar player. Then Andrew left for Canada and Matt and I carried on.

Matt had a studio by his home in Maida Vale. Did you record there often?Who else used to be there?

Cas: We rehearsed and recorded songs all the time! The regulars varied but included The Clash, The Boys, Generation-X, The Damned, Wreckless Eric and some lesser known bands.

What was the London music scene like back then?

Cas: Crap, until the “Roxy Club” turned up. Actually, there were some good pubs, where bands like Dr Feelgood, Eddie & the Hotrods, The Pirates etc. played.

What other musicians or bands did you socialise with?

Cas: None, but a few good football players.

Anyone in particular who liked to hang out with musicians?

Cas: Rodney Marsh, Stan Bowles, Frank Worthington, George Best, Charlie George, Martin Chivers, Peter Osgood, Alan Hudson etc.

In “The Boys”, did you consider yourselves a “punk band”?

Cas: Well, maybe not from the beginning, but we did some performances with Lemmy & Motörhead, where they were presented as “The Loudest Band in the World” and we as “The Fastest Band in the World”. Also, the press called us punk rockers.

You hung out with Sid Vicious. What was he like as a person? What did you use to do?

Cas: Sid was a “hang-around” in Matt’s studio! I went to an Abba concert with Sid and Lemmy! We thought they were great!

You opened for the Ramones on their “Baby I Love You” tour. Is it true that they didn’t play their hit song because they didn’t know the chords? And that John taught them how to play them?

Cas: That is absolutely correct. Johnny was very impressed when we taught him E minor.

Do you think the Ramones – or rather demon producer Phil Spector – used session musicians when recording “Baby I Love You”? As they couldn’t play it live and didn’t know the chords?

Cas: Yes, they used a lot of session musicians on “End of the Century”.

What was it like to be playing Hammond organ and singing harmonies with Duncan “Kid” Reid and Matt Dangerfield on Ramones’ UK gigs?

Cas: It was totally fantastic. I did many gigs with Ramones without the Boys. That is probably why they eventually offered me a place in the band.

Yes, you were invited to join the Ramones as “Casino Ramone”. Why did you turn down the offer?

Cas: Because they had no social life within the band. They would fix me up with an apartment in the Bronx, but I wasn’t very temped to be sitting there all on my own!

Did the tension between Joey and Johnny influence your decision?

Cas: Yes, of course! They hated each other then!

You recorded “To Hell with the Boys” in Norway – in the town of Hell, to be specific. In my opinion, the cover is a masterpiece, with the band outside God’s expedition at the railway station cleary marked “Hell”. Norwegian producer Bjørn Nessjø had strong preferences as to who should sing lead on the record. Did this cause dissension in the band or did it strengthen you?

Cas: I recall no problems. Maybe Duncan had a problem with Bjørn wanting Matt’s “John Lennon” approach as much as possible.

You left the band before the fourth record, “Boys Only”. Why?

Cas: I was a wreck and becoming an alcoholic. I had to get out of the circus. Also, it didn’t seem like The Boys were going anywhere.

You and Gary Holton left London and went to Norway. What happened there?

Cas: We became megastars there. We were on top of all the charts and sold out all our concerts.

What was Rig Rock?

Cas: We conned the press into believing that we had met on an oil rig where we were both working as roughnecks. They bought it, and christened our music “Rig Rock”.

How come your plans to break in the USA failed?

Cas: We never had time to go there and play.

How did Gary feel about living in Norway?

Cas: He liked it very much! He made good money and could take his pick of the ladies.

Why did you hang out with all those bikers?

Cas: They always threw good parties with fine girls.

Why did you disband Holton & Steel after four fantastic albums?

Cas: We took a break while Gary was doing [tv comedy series] “Auf Wiedersehen, Pet”.

And then he died. I’m sorry to ask this, but were you at all surprised by Gary’s death, or was he living so hard it was merely a matter of time?

Cas: I actually thought he had cut down on his drug use, so it did come as a surprise.

I found this information on your web site: “The follow-up to Holton & Steel was supposed to be Gary Holton, Casino Steel, Ellen Foley and Carlene Carter. After Gary’s death CCCP was formed with Carlene Carter, Claudia Scott, Casino Steel and John Payne. The album sold well, but the magic wasn’t there, so CCCP disbanded after one album only.” How did Carlene Carter come to be in the band? Did you ever meet her mother June Carter or her famous step-father Johnny Cash?

Cas: Carlene was acting in a play with Gary on a West End theatre, “Pumpettes & Dinettes”. I have toured with Johnny Cash, and then I also met June Carter.

The Boys play a few gigs a year ever since 2001. What made you go to Japan for the first concert?

Cas: The Internet had made us popular again in Japan. Vinyl Japan sold over 80 000 of our LPs that year.

What did it feel like to do two sold-out concerts at the Camden Barfly last autumn, with almost everyone in the audience singing along to all your songs?

Cas: All Boys gigs are special, the one at Barfly maybe especially so, as we met so many old friends.

You have a faithful following in the “Backstage Pass” members; hard-core fans who follow you all around Europe. What does that mean to you?

Cas: “Backstage Pass” are fantastic! I’m not sure we would be playing together today if it hadn’t been for our good friends in BSP.

Have you in the Boys closed the door on ever recording another album together?

Cas: I think so! John and I both now concentrate on The Last Rock’n’Roll Band.

How do you feel about playing with Honest John Plain again? After all, John was in The Tequila Band, backed up Holton & Steel and was also involved in projects like Ian Hunter’s Dirt Laundry with you.

Cas: It’s completely ace to be playing together with John. We have always gotten along and like the same types of music.

How do you think John has evolved as a songwriter, guitar player and singer since the time in The Boys?

Cas: He has become a song writing machine. Together, we can spew out songs! As a guitarist and vocalist he is excellent!

Which song is the best John has written?

Cas: “First Time”

Tell us what was on your mind when you picked out the songs and recorded the album “There’s A Tear in my Beer”, that is now being released through-out Europe.

Cas: This album was recorded at a time when I was deeply depressed. It was a necessary thing for me to do!

You once said that “There can be more Rock’n’Roll in Country than in Rock’n’Roll”. Explain!

Cas: Country lyrics mean a lot to me. I am more interested in “smoke filled bar rooms” than in “street fighting”.

One last question. Which song is the best you have written so far?

Cas: Possibly “Heroine”.

I’d like to thank you for the interview, and wish you luck with the release of the album “There Is A Tear in My Beer” on the Wild Kingdom label, distributed through-out Europe by Sound Pollution.

Cas: Thank you!

And of course, the best of luck to the new super group The Last Rock’n’Roll Band. In fact, Cas brought the record, so I could listen to it after the interview. After listening to it with a big smile on my face, I really look forward to its release! Good songs potently performed! Maybe I will get to interview John & Cas about The Last Rock’n’Roll Band presently… That would be great fun!

If you want to find out more of the wonderful life of Mr Casino Steel, The Godfather of Punk.

Links http://www.casinosteel.com
http://www.myspace.com/casinosteel
http://www.myspace.com/thelastrocknrollband
http://www.theboys.co.uk
http://www.myspace.com/theboysuk
http://www.myspace.com/backstagepassers
http://www.hollywoodbrats.com

Record/distribution companies

http://www.wildkingdom.se
http://www.spdist.se
http://www.captainoi.com

Downloads http://www.musicblink.com

http://www.casinosteel.com

2007-07-15

Crackhouse

Italian rockers CRACKHOUSE are back with a new album. Kelly (vocals) tells us a bit more about it, the Italian scene and his tastes in rock’n’roll.

Let’s start with a bit of history…

IT WOULD TAKE AN ENTIRE DAY TO TELL YOU ALL THE SHIT WE’VE BEEN THROUGH IN THE LAST 10 YEARS. I’M TALKING ABOUT LINE UP CHANGES, ROCK’N’ROLL DRAMAS, BIG FIGHTS, FRIENDSHIP, GLORIOUS DAYS AND MISERABLE ONES, TONS OF BOOZE AND SEX AND DRUGS AND ROCK’N’ROLL. WE HAVE AN EPIC BIOGRAPHY IF YOU CONSIDER THE FACT THAT WE LIVE IN THE LESS R’N’R COUNTRY IN THE WORLD. OH, WAIT A MINUTE… YOU’RE FROM FRANCE, RIGHT? SERIOUSLY, TO KNOW A LITTLE MORE ABOUT US JUST CHECK OUR MYSPACE PROFILE AT: WWW.MYSPACE.COM/CRACKHOUSEROCKS

Tell us about your new album “Hell Motel”…

“HELL MOTEL” IT’S OUR VERY FIRST FULL LENGHT AFTER SOME DEMOS AND EP’S. IT HAS BEEN RELEASED IN SEPTEMBER 2007 AND IT’S DOING PRETTY WELL SO FAR: GOOD REVIEWS ALMOST EVERYWHERE AND DECENT SALES. IT’S A SOLID, BALLS TO THE WALL, STREET WALKING, ROCK’N’ROLL ALBUM THAT WILL DEFINETELY NOT DISAPPOINT ANYONE.

What does “T.R.L.” mean?

T.R.L. OFFICIALLY STANDS FOR “TOTAL REQUEST LIVE” BUT IN OUR PERONAL INTERPRETATION IT MEANS “TOTAL RUBBISH LIVE”. FOR THOSE WHO ARE NOT FAMILIAR WITH IT (LUCKY YOU!) IT’S A SHOW ON MTV THAT FEATURES POPULAR MUSIC VIDEOS. I DON’T KNOW IN THE REST OF THE WORLD BUT THE ITALIAN VERSION OF THAT SHOW IS THE WORST PIECE OF CRAP I’VE EVER SEEN ON TV: AWFUL HOSTS, AWFUL BANDS, AWFUL CROWD… YOU GOT THE PICTURE. TO ME IT’S THE PERFECT EXAMPLE OF WHAT MUSIC SHOULD NOT BE!

There seems to be friendship between most sleaze/glam Italian bands, tell us a bit about the scene there

YEAH, WE ARE FRIENDS WITH SOME OTHER ITALIAN ROCK’N’ROLL BANDS, THIS IS TRUE, AND I PERSONALLY CONSIDER SOME OF THEM AS MY BEST FRIENDS, OTHER THAN TALENTED AND CHARISMATIC PEOPLE. I’M TALKING ABOUT THEE S.T.P., LESTER AND THE LANDSLIDE LADIES, HOLLYWOOD KILLERZ ETC…, TO TELL YOU JUST THE “GLAM” RELATED BANDS, BUT IT’S HARD TO TALK ABOUT A REAL SCENE. I TELL YOU : MOST OF THE “GLAM” BANDS HERE ARE JUST EGOISTICAL CUNTS WHO THINK THEY’RE ROCKSTARS JUST ‘CAUSE THEY CAN PACK THE LOCAL PUB WITH THEIR FRIENDS TWICE A YEAR AND THAT’S IT. IT’S A VERY LAUGHABLE SITUATION, AND WE DON’T WANT TO BE PART OF IT.

Do you play a lot of gigs?

LUCKILY ENOUGH: YES. JUST IN THESE DAYS WE’RE FINISHING THE FIRST LEG OF A SERIES OF GIGS THAT WE STARTED IN SEPTEMBER TO PROMOTE THE ALBUM. WE WILL END THIS LEG IN A WEEK WITH A COUPLE OF GIGS IN HUNGARY. WE WILL START THE SECOND LEG IN DECEMBER, HOPEFULLY WE WILL HIT THE ROAD WITH OUR GREAT FRIENDS FROM GERMANY HOLLYWOOD TEASZE, THEN, WE’RE TALKING ABOUT A TOUR IN EARLY 2008 WITH THE SWEDISH ROCKERS GEMINI FIVE. I TELL YOU, IT’S NOT A PIECE OF CAKE ‘CAUSE THE PLAGUE OF THE COVER/TRIBUTE BANDS IS INFECTING THE EUROPEAN ROCK CLUB SCENE, BUT WE FIGHT LIKE A BRAVE AND ANYTIME WE PLAY SOMEWHERE, THEY ALWAYS WANTS US TO COME BACK. THAT HELPS A LOT. PLUS, IN THESE DAYS WE’RE ABOUT TO SIGN A DEAL WITH A PRETTY COOL BOOKING AGENCY SO… THINGS ARE GETTING BETTER AND BETTER.

Do you guys have steady jobs?

SOME OF US HAVE SOME, SOME OF US DON’T…BUT I CAN’T GO DEEP ON THE DETAILS. LET’S SAY THAT EVERY CRACKHOUSE MEMBER HAVE FOUND HIS VERY PERSONAL WAY TO GET HIS MONEY OUTSIDE OF THE BAND.

A classic question: 5 of your favourite albums?

IN NO PARTICULAR ORDER AND SUBJECTED TO VARIATIONS EACH AND EVERY DAY: – SEX PISTOLS: NEVER MIND THE BOLLOCKS – MOTLEY CRUE: GIRLS GIRLS GIRLS – DEAD BOYS: YOUNG, LOUD AND SNOTTY – FASTER PUSSYCAT: S/T – HANOI ROCKS: ORIENTAL BEAT

A more difficult one now! choose between and explain:

BEATLES or ROLLING STONES? CLASSIC QUESTION, AND IT’S ALWAYS HARD TO ANSWER. I GO WITH THE STONES. KEITH AND RONNIE MAKE THE DIFFERENCE I GUESS.

VINCE NEIL OR AXL ROSE? I’M A TOTAL CRUE HEAD. VINCE WINS EASILY THIS ONE.

RAMONES or SEX PISTOLS? I LOVE TO DEATH BOTH BANDS BUT I PICK THE SEX PISTOLS. I CAN’T TELL YOU WHY, BUT IN THE NEVER ENDING STRUGGLE BETWEEN THE FANS OF THE TWO BIG PUNK SCENES (LONDON AND NEW YORK) I’M ALWAYS BEEN ON THE BRITISH SIDE OF THE STORY.

ABBA or BONEY M? FUNNY STUFF TO DANCE WHEN YOU’RE HIGH. BUT I DON’T GIVE A DAMN ABOUT THEM!

KISS or AC/DC? KISS. NO DOUBT ABOUT IT. THEY MADE ME A ROCKER WHEN I WAS 12. KISS IS MAGIC!

LORDS OF THE NEW CHURCH or HANOI ROCKS? YOU BASTARD!! HOW CAN I CHOOSE??? FUCKING IMPOSSIBLE! I HAD THE CHANCE AND THE LUCK TO PLAY WITH BOTH BANDS AND I GOT SOME AWESOME MEMORIES ABOUT THOSE GIGS. WE’RE TALKING ABOUT TRUE ROCK’N’ROLL LEGENDS.

What’s your view on the rock music world these days?

YOU KNOW WHAT ? ODDLY ENOUGH I WAS LISTENING TO THE KAISER CHIEFS A COUPLE OF NIGHTS AGO AND I FOUND THIS SONG CALLED «EVERYTHING IS AVERAGE NOWADAYS ». THAT’S EXACTLY WHAT I THINK ABOUT THE STATUS OF MUSIC TODAY: IT’S DEFINITELY NOT VERY GOOD BUT ON THE OTHER HAND YOU CAN’T EVEN SAY THAT IS A TOTAL MESS. IT’S JUST… AVERAGE. DON’T YOU THINK IT’S EVEN MORE SAD?

Anything else to add?

YEAH: SUPPORT YOUR LOCAL SCENE, BUY RECORDS FROM THE UNDERGROUND BANDS, KEEP IT REAL, HAVE FUN, BE COOL. WE LOVE YOU.

http://www.crackhouserocks.com

D Generation

D Generation are back, almost 12 years after they broke up so we had to ask them a few questions. Guitarist Richard Bacchus answered.

How did the idea of a D Generation reunion happen?

Promoters in Spain, Heart Of Gold have been asking us to play their Turborock festival for years.
It all came together this past year.

How has the response been during the shows?

The response has been amazing. it’s been great to go out and put faces to all the Bookfacers and Mespacers out in the world.

How did you feel after the first reunion show?

Really surprised that we pulled it off. I think we’re better now, performance wise.

What are your favourite songs to play live?

I like to play “Frankie”, that solo is really fun to play. “Too Loose” is a good one too.

Any chance to see some of these shows released on DVD?

We’ve been shooting bits and pieces. There’s some good HD stuff up on YouTube.

Are you going to record something again? Is there going to be any influence on your solo career and Jesse’s?

We’re trying to figure out the logistics of that right now. Jesse and my bands are full steam ahead. The other guys in D Generation all have serious day jobs.

Is it true that Ryan Adam’s offered to produce and release a D Generation album on his Pax Am label? If D Generation do agree to record, will there be any songwriting collaboration with Ryan Adams?

Ryan has been super supportive through all this. In the past we’ve never written with anyone else. That said, I can’t rule it out.

You had bands like The Biters and Prima Donna opening for you. Did you choose them? I don’t know about The Biters, but Prima Donna told us that D Generation were a big influence for them and they’re not the only ones ; How does it make you feel?

I met the Biters seven years ago, back when they were The Heart Attacks and The Fishnet Stalkers. I used to book them in, Raleigh, NC. They all used to crash at my house. I cook a mean Rock N’ Roll Breakfast. I’d like to think that I’d contributed, generously to their’s and Kevin Preston’s Degeneracy and delinquency.

Any other bands you really like nowadays?

The Stalkers from Brooklyn, Love City from Philadelphia, Valient Thorr from here in Raleigh.
Jeff The Brotherhood who I believe are from Nashville are really great too.

Opening for big bands is never easy. Do you have any recollection of D Generation opening for KISS in 1996?

It was fairly anti-climactic. My Mum, aunts and uncles were impressed. Great big room with a little punk band in the middle.

You opened for Guns N’ Roses recently. How was it?

The Guns N’ Roses shows were a blast. G N’ R drummer, Frank Thunderchucker Ferrer and I have been friends since our teens.
He played drums on the Luckiest Girls album, Jet Black and Beautiful. Catching up with him was great on top of catching up with other old friends, Richard Fortus and Tommy Stinson. The whole band are incredibly nice, generous guys. Axl has done a great job with that band.
I never was really a fan of that band but those two shows with them blew me away. Axl’s voice is awesome.
The show is a total spectacle.

Some members of D Gen come from a punk background. Jesse Malin was in Heart Attack and Howie Pyro was in The Blessed (with Walter Lure). Were you in any bands before D Gen?

My first band was a pub rock band called The Fugitives with another English guy named Steve Lewins. Steve was in The Count Bishops, Chelsea and Wilco Johnson’s Solid Senders. He taught me most of what I play today.
After that I played a couple of shows with a glam band called Demolition Boy.
In 1986-87 I had a band, Sprokket with Dee Dee Ramone and Brijitte West. Dee Dee left that band and it became Viva La Wattage.

The opening of the song “No Way Out” sounds very similar to the opening of the song “Better Off Dead” by La Peste, a Boston band from the late 70s. Were you familiar with this French named band?

I’m not familiar with that. I’ll have to dig it up.

You’re a big T.Rex fan, don’t you think modern rock needs more boogie?

Loads and loads of more boogie. I accept Little Lord Marc as my personal, musical and mystical saviour.

You formed Vasquez with Sam Yaffa and also played with Madjuana, D Generation and Michael Monroe would be a fantastic bill for a tour, don’t you think?

Sami and I have talked about that, we want to sail around the world on an oil tanker.

What ‘s coming next for both D Generation and Richard Bacchus & The Luckiest Girls?

I’m recording a new record with The Luckiest Girls. I am writing new D Generation Riffs.
Hoping to tour Europe with both bands soon.

http://www.dgeneration.co.uk/