Brand New Hate “Hangover And Over”

BNHWhile the band’s name suggests a big BACKYARD BABIES influence, BRAND NEW HATE actually sounds more British, in a QUIREBOYS/FACES way: Raspy voice, STONES guitars and the good ol’ occasional piano!
These four French guys started playing together in 2007, and it’s good to see them back with this new 10 song album. Influences like the DEAD BOYS (“Luv Machine”) and the NEW YORK DOLLS/JOHNNY THUNDERS (“Anaconda S.S.”) can still be heard, but a song like “Sinner And Preachers” sounds more like PRIMA DONNA (a band they played with a few times.)
Good old classic rock’n’roll (“Lose Your Teeth”) and ’77 glam punk rock’n’roll get along perfectly on this record, a tribute to all rock’n’roll heroes (“A Band On The Go”), but also an album on which you’ll find great original songs like “I Need a Hand” or “Feelin’ Bad Feels Good”!
Rock’n’Roll with a big R./Laurent C.

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Warshow Angels “S/T”

WarshAngelsAny band mentioning T.REX and The LORDS OF THE NEW CHURCH in their biography is worth talking about, right? Well, good chances are you’ll hear about them on here!… Formed in NYC by Kneel Cohn (Vocals/Guitar) and Todd Bryerton (who played drums on the last CONSOLIDATED album) after recording a few songs in Manhattan, WARSHOW ANGELS offers us a very interesting and unexpected debut album full of special guests, mixing 70s glam sexiness to industrial/post-punk atmospheres.
“Bruises” and its SISTERS OF MERCY kind of bass played by Tony Barber (BUZZCOCKS) reminds me a bit of MARILYN MANSON‘s “Mechanical Animals” era, a retro-futuristic mood that can also be found in “Prozac Smile” and “Dive.” SIGUE SIGUE SPUTNIK synths and groovy Bolan-esque beats/guitars meet up in “This Is Not A (Hit Song)” (with HANOÏ ROCKS‘ Sam Yaffa on bass!), and LOVE AND ROCKETS often comes to mind while listening to this record. Other guests include Martin Shellard (SPIRITUALIZED) on the sci-fi ballad “Red Plastik Crush”, Peter Holmstrom (DANDY WARHOLS) on the spacey-psyche “Planet Girl” and Nicky Garratt (UK SUBS) on “Love Hz”, a dark sexy dancey electro-glam tune.
Beware! Songs like “Bang Bang Love”, “Sexy TV Trash” or the infectious “Flaunt It Like This” won’t leave your mind after listening to them a couple of times! (and since too much is neve renough, you’ll also get a “Flaunt It Like This” remix version à la SSS by Julian Beeston (NITZER EBB, PIGFACE) )… The 70s, the 80s and the future in one album, definitely the best surprise of these last months!/Laurent C.

http://www.warshowangels.com/
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Living Dead Lights “Black Letters”

LDLBLNice to hear from L.A’s LIVING DEAD LIGHTS 3 years after their promising 7 song CD. Mixing hardcore energy with a chorus reminding bands like PAPA ROACH on opener “”I’ll Be Your Frankenstein” , the band still sounds modern without sounding flat and overproduced ( the album is produced by Fred Archambault, AVENGED SEVENFOLD…), and keeps on hitting hard with songs like “Follow”, “It’s Drowning In My Veins” or “Hey Stranger.”
From US alternative rock influences (“Everybody”, “Vacant”, “This Is Our Evolution”) to contemporary hard rock, LIVING DEAD LIGHTS sometimes make me think of a modern version of STONE TEMPLE PILOTS with a touch of Californian sleaze rock (The GUNS N’ ROSES influence can definitely be heard in the guitars.) This well balanced mix gave birth to potential hits such as “Dead To Myself’” or “Johnny” (a song that was previously released on the band’s 7 song CD), and
while it’s easy to remain stuck in the past when you’re a rock band in Hollywood, LIVING DEAD LIGHTS shows us that L.A. rock influences can fit in nowadays music as well. They will be touring Europe in October./Laurent C.

http://livingdeadlights.com/
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